Habitat shoes are looking really good. With your spot on the team, do you have any input on the design side of things?
Well, I give a little input here and there. If I feel something is wrong with any of the samples then I let the designers know. Or, if a certain part of the shoe doesn’t last long enough then I tell them and they work to fix it. I haven’t really helped out with the design side of things; that’s mainly Aaron Hoover and Joe Castrucci. They know what they’re doing so I just leave it at that. Austyn Gillete has been helping out with the design stuff a lot as well.

Check out their website for more info.

• Registration 1-2pm
• $15 Admission (stay and skate the park after wards included)
• Prize Pack for 1st Place Finisher
• 15 and Under / 16 and Up / Sponsored

I spent a lot of time growing up in Austin as a kid. I skated downtown and other spots, but I never really knew anyone here. Within the last 2 years, just like in Dallas, I quickly connected with those that make up the Austin skate scene. Being 30, I naturally gravitated toward the older guys, but I still spent a lot of time with the young ones. Who else was I going to take photos of? Shirtless dudes with a Lonestar in one hand doing smith grinds on a mini ramp, or dudes ripping?

Not many guys in their late 20’s and early 30’s still street skate regularly in Austin, but a few do. One in particular is Luke McKirdy. He is an Englishman who could care less about an image or what you think. A quiet and private person once you get to know him, and a mid 30’s all terrain destroyer. He is probably better than you’ll ever be and is still learning new tricks…with style. For instance, he just learned switch front hurricanes the night I wrote this! When he started popping up in our montages, photos and sequences, everyone started asking “who the hell is Luke McKirdy, who does he ride for”? We felt it was appropriate to give you some more insight into our friend from across the pond. Enjoy! – Mefford

Switch Blunt

5-0 Fakie

Chris Sumers: So, let’s start by clarifying a few things first. Where were
you born? Where did you grow up?

Luke McKirdy: I was born in Brighton, England which is on the south coast straight down
from London about 60 miles. I was born in Brighton, but I grew up
outside of Brighton like three miles away in a village called Rottingdean. It had a duck pond, a windmill, and all of the quaint English stuff you
may think of. But pretty much Brighton was the town near me. It was pretty
English, about as English as you can imagine. I lived there until 21.

CS: So you were 21 when you came to the US?

LM: Yeah, right around there.

CS: where did you move to from Brighton?

LM: Huntington Beach. All of the Flip dudes who I knew from England,
the company owners Jeremy Fox and Ian Deacon, came out right around then.
In like ‘93, they brought the company to the US. They knew Per Welinder,
so they did it under what was then just Birdhouse and Hook-Ups. Then Flip
came there and they formed Blitz Distribution. When they first came, they
lived in one of Per’s old apartments which I never stayed at. Shortly
after that, they got another apartment. It was Deacon and Fox living in
one room. Andy Scot and Geoff living in another room. Downstairs was Rune
and Penny. Rune lived under the stairs pretty much. Penny lived behind
the couch. I came and stayed with them along with Ali Cairnes and various
other English dudes. I came for like three months. That is what you got
on your passport and visa stamp. Then I went back for three months, then
bounced back and forth for three month intervals. Finally, I came back
for 6 months…

CS: You got a green card at that time?

LM: Not at that point. I just decided that I am not going back. Some
of them had green cards. Some of them had overstayed their visas, but…

CS: Were you an illegal alien?

LM: Yeah, for a little bit. But, shit, lots of people were. As long as
you did not get into any trouble with the law, no one was ever going to
find out anything.

Mute

CS: Like some of your buddies?

LM: Yeah. So, we lived in that apartment for a couple of years until
people started moving out. Deacon and Fox moved out when the company started
doing good, and they had money. They were all basically poor as fuck before.
I think we eventually got kicked out for having too many people. Me and
Geoff got an apartment with another friend of ours, Steve Jolliffe. He
was another old friend of Fox’s from back in the day. He was just another
English skater dude. He rode for Death box before Mouly (Alex Moul)

CS: Did you ever ride for Flip?

LM: Nah… not really. not like legitimately. I don’t know. Maybe I did.
Maybe. When it was Flip in Europe, I may have gone to one or two European
contests riding a flip board.

CS: Before you came to Austin, you worked for Blitz, right?

LM: Yup.

CS: what did you do for them?

LM: Originally, we would hang out Birdhouse when it was still relatively
small. We got to know the few sales people and the one or two guys that
worked in the warehouse. They were still very low key. One time, they
were doing inventory and needed someone to come and help count for a day.
I went and helped count, and the guy that was in charge asked if I wanted
to continue to work there. They paid us cash in hand for a while. I ended
up working there pulling orders. Eventually, I was the warehouse manager.
We moved to a couple different buildings as the company grew and grew.
We took on Baker, Fury Trucks, and The Firm.

Gap to Lipslide

CS: When I first met you at the Death Star, I actually recognized
you. You had recently been in Thrasher Magazine for the “King of
the Road ” issue. What year did you go on that?

LM: It was right when I knew that I was going to move to Texas. That
was coming up, so I did that like a couple of weeks before I left.

CS: What year did you come here?

LM: 2005… like three years ago. Actually, three years ago exactly because
I came after the trade show.

CS: So… I met you right when you got here.

LM: Pretty much, yeah. I met Lee Brooks through my wife, Tria. He showed
me around to the Death Star and Banana Farm which is where I met everyone
in the skate scene down here. Props to Lee Brooks. It’s funny when I first
came here. I was like, “Sweet! Lots of dudes my age who skate ramps.
This will be a good way to wind down the skateboard life.” Now, I
spend most time street skating with the young dudes doing my best to not
get hurt.

CS: Much props to Lee Brooks. What was your role on “King
of the Road”?

LM: You get a filmer, a photographer, and a team manager. Ewan was the
team manager, but also their filmer. They needed someone for the team
manager and it had to be someone that worked for the company. Otherwise,
they would have just picked a ringer…

CS: So you were the ringer?

LM: I guess. I was the team manager if you want to call it that.

CS: What was the experience like?

LM: It was pretty rad. I mean fuck. You have to drive coast to coast
in two weeks which is a lot of fucking driving. I was the one driving
one of the vans, but it was pretty fun. Everybody on that team is pretty
much mad, but it was a great experience.

CS: Did you learn tricks while you were on the tour?

LM: I wouldn’t say learned. I would say that I did tricks that I hadn’t
done before.

CS: I remember seeing you do a back tail blunt transfer on a
spine ramp in L.A…

LM: Yeah, that was one of the tricks. I sessioned that with Arto, and
I got it first. I don’t know. You just pick tricks out of the book that
you can maybe do. You go somewhere and you have a go at it a few times.
Sometimes you would see if it pans out.

Back noseblunt

Noseblunt Revert

CS: Considering the
fourduos crowd, you are probably one of the older heads getting into the
monthly montages. How old are you now?

LM: Thirty-five…the ripe age of 35.

CS: … and still learning new tricks, right?

LM: I did a new trick tonight with you.

CS: A pretty good one too.

LM: Switch front krooks is not bad. If I can do it again, it will be
good.

Backside 360

270 Nosepivot

CS: What brought you to Texas? Why would you leave your illustrious
career at Blitz?

LM: I had been in America for a couple of years. Through someone that
I skated with, I met Tria, my wife. We were together for a year or so
before we got married which aided in my green card. She is from Austin,
TX. We would come here on vacation for a week or so at a time. It is obviously
a decent place. I didn’t ever want to end up in Huntington Beach. It is
pretty much just horrible people there. It just has no culture or anything.
It is full of the worst bros. It is everything bad about California in
that little fucking area right there. There are horrible bars, horrible
people, bad scene, too much industry, too many dorky motocross dudes.
There are too many dudes who don’t actually surf, or actually skate, or
actually motocross, or actually ultimate fight, but kind of want to be
a bit of all of those. You couldn’t buy a one bedroom condo for under
$700,000. Buying a house there just wasn’t going to happen. I was happy
to get out of there and come to Texas.

CS: Do you prefer skating in Texas over California?

LM: Hell yeah. California is very over rated. You pretty much have to
drive an hour or so to every spot; only to get kicked out and drive to
another. So many dudes at all the same rails, stair sets, and spots that
everyone skates that are not close. People would drive from San Diego
to LA to skate this one particular set. It was just fucking ridiculous.
That is not what skateboarding is or ever was to me. The whole time I
was there, I really only skated with Geoff, Apples, Arto, Ed or whoever
might be in on the session. Unless we went to the Volcom park, they treated
it like it was a job. I was just not into it.

CS: You were not into hucking yourself down 13’s?

LM: No…it was during that really bad time. No one was skating cool
banks, ditches, and Barcelona style spots. Everyone was skating stair
sets and big rails. Getting dragged to them day after day was torture.
They would go out all the time at night. I would be out in the middle
of nowhere in a parking lot at some big rail thinking, “please get
the trick or get hurt” so that we could get out of there.

CS: That is a horrible thing to think.

LM: Once generators came on the scene, there was no “it is too dark”
excuse. You could then be out forever. After a while, I told Geoff to
not bother calling me unless they were going somewhere that I was going
to like. There wasn’t really a skate scene like there is here. Everybody
here knows each other and is down to hang out.

CS: Is it safe to say that you prefer the Austin skate scene?

LM: Yeah. You bump into all of the same people around town at the same
events here and everyone is stoked to see each other. It does not work
like that out there.

CS: People ask me all of the time who you skate for.

LM: No one really. Luckily enough, I don’t have to worry about that.
I know people that give me free shit. Don Brown, who is like the VP of
marketing or something at Soletech. He has always worked there since they
were just Etnies. Before there was Emerica. Before there was Es. He is
from my hometown of Brighton. He has given me free shoes forever. Ian
Deacon is from my town of Brighton as well. He started Flip with Jeremy
Fox, and I have known Fox for years as well. Two people that I grew up
with are part owners of major companies, so I get the hook up with them.

Switch Crook

Backlip

CS:
Have you ever had your own video part?

LM: No.

CS: In the next year, you are going to have two. Care to talk
about either of them?

LM: What parts? The one in fourduos…. and the one in our video?

CS: Yeah. Don’t disclose the name.

LM: Ha-Ha. Yeah. Ours is going to be a homies video.

CS: Which one are you more amped on?

LM: I don’t care. I am amped on the homies video because of all of the
footage that you have that will never see the light of day otherwise.
All of the people that are not quite of quality to make it into the monthly
montages. Dudes that definitely skateboard for fun. That will be fun.

CS: Since you have spent many a year wrapped up in the industry,
do you have any words of advice for the young kids coming up in Texas?

LM: If you are good enough, you will get sponsored. There are enough
people around now that if you do a shitty youtube part, you will do fine.
Don’t go too extreme either way with the gear. If you are good enough,
it will happen. You don’t have to go out of your way to make it happen
these days.

CS: Do you think it is beneficial for the Texas skaters to try
and get into the monthly montages?

LM: Yeah. If they are good, for sure. You know people watch that. At
least, Texas people will take notice. You can get on a Texas shop or flow
from a rep who will take care of you.

CS: You once told me that you used to listen to Texas rap while
you still lived in the UK. Who were you listening to?

LM: We got cable really early on. It was when MTV was still good. The
YO MTV Rap days. I saw a Getto Boys video, “Do it like a G.O.”
I got that cd, and they always had a posse cut at the end. I was super
into reading who produced the tracks and who was featured on the track.
I used to go up to London to HMV. They had a good import section. I used
to buy all kinds of stuff. All of the Ghetto Boys stuff, Gangsta Nip,
Big Mello, DMG, Odd Squad- which was the group Devin was in before he
went solo, Convicts, Big Mike. There was a ton of good shit. There was
always a ton of classic good gangsta rap.

Noseblunt

CS: Who is your favorite Texas rapper right now?

LM: Ha-Ha… Obviously, that would be Devin. I am not too fond of much
southern rap, but he is holding it down. The shit he makes is the same
shit he made 15 years ago. His shit is timeless.

CS: Do you think you will still be listening to Devin when you
are 50?

LM: Yeah… You know it. I got a meeting with Peyton on my 50th. I am
gonna be living Devin’s lifestyle.

CS: Anybody that you want to thank or shout out?

LM: Ian Deacon and Jeremy Fox at Flip, Ricta, and Mob. Those dudes have
been giving me free shit for 15 years or more, and I have never really
done anything in return. Apart from, you know, being their friend and
hopefully helping them out with bits and bobs. Don Brown as well at Soletech
for giving me my pick of whatever shoes I wanted from there the whole
time that I have been in America. Thanks to you for filming me, and Mefford
for shooting photos. Any of the Texas dudes that I have met and my wife
Tria.

Nosegrind

Intro: Europe – The Final Countdown
Micheal Tang: Wolfmother – Where Eagles Have Been
Mindfield Montage: Marshall Tucker Band – This Old Cowboy
Southside Camera Board: Afrika Bambaataa – Planet Rock (instrumental)
Ivan Lavigne: The Doors – Follow Me
Montage #2:Bruce Springsteen – Dancing In The Dark
Ryan Strader:Thin Lizzy – Whiskey In The Jar
Robocop ED-209 Skit -
Pro Montage: Wu-Tang Clan – Uzi (Pinky Ring)
Erik Ostos: The The – This Is The day
Luke McKirdy Intro: Billy May & His Orchestra – The Odd Couple
Luke McKirdy: Big Daddy Kane – Warm It Up, Kane
Credits: Animal Collective – Lion In A Coma

Featuring: Mikey Brown, Michael Cross, Robby Morrison, Cody McEntire, Chris Luhring, Ben Harven, Trey Justice, Frankie Heck, Zach McBride, Jonathan Lopez, Dallis Thompson, Franky Le, Chris Osborne, Demarquis McDaniels, Sean Greene, Dominque Goings, Sid Howard, Vinnie Thomas.

Edited By Eric Nguyen

Featuring: Jonathan Sturgeon, Coady Merryman, Kyle Krittenden, Cullen Inmon, Jordan Mccollough, Jonathan Smith, Mack Dafoe, Aarron Baugh, Micheal Moore, Evan Owen, Michael Brower, Cody McEntire, Ryan Todd, Adam Taylor, Sean Greene.

Edited by Shane Darnell

Featuring: Andrew Reneau, Nick Gunther, Graham McElroy, Trey Justice, Sohan Handunge, Andy Zepeda, Franky Le, Jeff Gonzales, Whitney Collins, JC Borden, Jeff Haley, Vinny Thomas, Derek Simon, Chris Luhring, Michael Beuhler, Dominique Goings.

Edited by: John Danielson